When Harlem Was in Vogue by David Levering LewisThe decade and a half that followed World War I was a time of tremendous optimism in Harlem. It was a time when Langston Hughes, Eubie Blake, Marcus Garvey, Zora Neale Hurston, Paul Robeson, and countless others made their indelible mark on the landscape of American culture: African Americans made their first appearances on Broadway; chic supper clubs opened on Harlem streets, their whites-only audiences in search of the ultimate primitive experience; riotous rent parties kept economic realties at the bay while the rich and famous of both races outdid each other with elegant, integrated soirees. David Levering Lewis makes us feel the excitement of the times as he recaptures the intoxicating hope that black Americans could now create important art--and so at last compel the nation to recognize their equality.
In his new preface, the author reconsiders the Harlem Renaissance in light of criticism surrounding the exploitation of the black community. For, as he point out, speculations about molded the Harlem Renaissance and who found it most beneficial, as well as what it symbolized and what it actually achieved, raise questions about race relations, class hegemony, cultural assimilation, generation-gender-lifestyle tensions, and art propaganda.
The Harlem Renaissance was an intellectual, social, and artistic explosion centered in Harlem, New York , spanning the s. The movement also included the new African-American cultural expressions across the urban areas in the Northeast and Midwest United States affected by the Great Migration ,  of which Harlem was the largest. Though it was centered in the Harlem neighborhood of the borough of Manhattan in New York City , many francophone black writers from African and Caribbean colonies who lived in Paris were also influenced by the movement,     which spanned from about until the mids. The zenith of this "flowering of Negro literature", as James Weldon Johnson preferred to call the Harlem Renaissance, took place between —when Opportunity: A Journal of Negro Life hosted a party for black writers where many white publishers were in attendance—and , the year of the stock-market crash and the beginning of the Great Depression. The Harlem Renaissance is considered to have been a rebirth of the African-American arts. Until the end of the Civil War , the majority of African Americans had been enslaved and lived in the South.
Jun 15, When Harlem was in vogue. Bibliography: p. Includes index. ISBN 0 14 (pbk.) 1. Afro-American arts-New York (City). 2. Arts, Modern.
lemon dream cake grandmothers kitchen
Find a copy online
Douglas H. Daniels, When Harlem Was in Vogue. By David Levering Lewis. New York: Knopf, Illustrations, notes, and index.
HathiTrust Digital Library, Limited view search only. Please choose whether or not you want other users to be able to see on your profile that this library is a favorite of yours. Finding libraries that hold this item You may have already requested this item. Please select Ok if you would like to proceed with this request anyway. WorldCat is the world's largest library catalog, helping you find library materials online.
Lawrence W. Levine, David Levering Lewis. When Harlem Was in Vogue. New York: Alfred A. Most users should sign in with their email address. If you originally registered with a username please use that to sign in. To purchase short term access, please sign in to your Oxford Academic account above.