I said what about breakfast at tiffanys

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i said what about breakfast at tiffanys

Breakfast at Tiffanys Quotes by Truman Capote

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Published 08.12.2018

Matchbox 20 - Breakfast at Tiffanys

Wearing a black ball gown with matching gloves, an elaborate updo, oversized sunglasses, and several lush strands of pearls, she gets out of a cab, carrying a small white paper bag, and walks up to one of the windows displaying jewelry. Though her character, Holly Golightly—opaquely drawn as a high-end call girl —is something of a down-on-her-luck striver, an outsider looking in and up, the scene is not about longing or aspiration so much as it is about ritual and the search for simple, almost pastoral pleasures in a dense and hectic city.

Breakfast at Tiffany's (song)

Log dich ein um diese Funktion zu nutzen. You'll say, we've got nothing in common No common ground to start from And we're falling apart You'll say, the world has come between us Our lives have come between us Still I know you just don't care And I said what about Breakfast at Tiffany's? She said I think I remember the film And as I recall I think, we both kind of liked it And I said well that's, the one thing we've got I see you, the only one who knew me And now your eyes see through me I guess I was wrong So what now? It's plain to see we're over And I hate when things are over When so much is left undone. Fehlerhaften Songtext melden. Songtext kommentieren. E-Mail Adresse.

Today the film is generally remembered as a frothy rom-com about a tiara-wearing free spirit in s New York—a sort of proto Sex And The City for the beatnik generation. So how did that gap in perception grow so big? Capote himself disliked the film adaptation and felt betrayed when Paramount cast Audrey Hepburn in place of his preferred Holly, Marilyn Monroe. Perhaps partially because of that, cultural consensus holds that the film turned a gritty, bawdy tragedy into a sanitized, heteronormative romance. But while the tonal differences between the film and the novella are definitely there, they tend to get exaggerated in a way that does a disservice to the nuances of both versions. Both the novella and the film center on Holly Golightly, a young would-be New York socialite who lives a transient, bohemian lifestyle while on the hunt for a rich husband.

You'll say, we've got nothing in common No common ground to start from And we're falling apart You'll say, the world has come between us Our lives have come between us Still I know you just don't care. And I said what about Breakfast at Tiffany's? She said I think I remember the film And as I recall I think, we both kind of liked it And I said well that's, the one thing we've got. I see you, the only one who knew me And now your eyes see through me I guess I was wrong So what now? It's plain to see we're over And I hate when things are over When so much is left undone.

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Originally appearing on the album 11th Song , it was later re-recorded and released on their album Home. It was the band's only hit, [1] peaking at number five on the US Billboard Hot Todd Pipes said in a Q magazine article about the promotion of "Breakfast at Tiffany's", "As the song had 'breakfast' in the title, radio stations thought it would be genius to have us on at breakfast time.

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